Impact the blow.
Shape the blow: how hard it hits, how long it rings and what stays behind.
Imprint by Sem Polak
Leave your style on everything you make.
DaVinci Resolve
Premiere ProMac
Imprint by Sem Polak
DaVinci ResolvePremiere ProMac
In DaVinci Resolve, the looks sit right on top of your viewer.
In Premiere Pro, the looks sit in their own panel in Effect Controls.
Pro
Pro opens up every control. Shape the hit, the rhythm and the flicker of each look.
Shape the blow: how hard it hits, how long it rings and what stays behind.
Set the rhythm: how low it falls, how high it climbs and how fast it moves.
Make the light unsteady, from a soft shimmer to a broken bulb.
Decide how long the trail runs, how much of it mixes in and where it points.
Fast enough to grade with, and at home in your pipeline.
Built for speed Runs on your GPU. In our tests on a MacBook Pro it used about a tenth of each 4K frame.
31 input curves Tell it what you shot on, from ARRI to iPhone. The blur mixes in linear light, like a real long exposure.
94 motion curves Inspired by how real things move: tides, heartbeats, flames, lightning. Pick one, then reshape it until it is yours.
Two hosts, one engine Same look, same result, in DaVinci Resolve and in Premiere Pro.
Free gives you six looks to keep, no strings. Pro gives you all 94, every control and the updates that come after.
Time Shift Blur Six looks to start with.
Time Shift Blur Pro All 94 looks and every control.
One free app installs every tool in Resolve and Premiere, and keeps them up to date.
Free · macOS 13 or later
Each one does one thing, all the way. One is out, the next is on its way.
No. You pay once.
No. Updates are included.
A Mac with macOS 13 or later, with DaVinci Resolve or Premiere Pro installed.
Yes. Free runs in your editor, so you see it on your own shots.
